刻刀记写最鲜活的农村变革

　视频链接：http://t.cn/A6K8P00M

　　刻刀，划出1942年解放区的农村。

　　怒火，在减租会上势如燎原。墨上雕版，轻柔慢拓。画中人物无名无姓，却是历史坐标中最鲜活的个体；时代的足印，刻写在画笔无法模仿的刀痕中。

　　1943年，古元创作木刻版画《减租会》，以笔刀刻写社会现实，描绘了贫苦农民直起腰板儿与地主说理斗争，要求地主减租减息的情形，于方寸间展现抗战时期农村发生的前所未有新变化。

　　作为延安木刻的代表作，《减租会》宣告了中国版画史上一种新风格的诞生。

　　中央广播电视总台大型纪录片《美术里的中国》与您一同欣赏著名版画家古元“炕头上的画展”，一起遇见最鲜活的乡村。

　　Under the artist's carving blade, a scene springs to life showing people's anger boiling over at a rally called to reduce farmers' rent, as they struggle against their landlords and demand the return of excessive rent payments. Some 80 years ago, when the transformation of rural China first unfolded, a woodcut artwork recorded this historic moment. Created by Gu Yuan in 1943, "Rent Reducing Rally" marks a representative work of the "Yan'an Woodcuts School." In the artwork, Gu Yuan broke new ground by blending European woodcut techniques with China's traditional woodblock prints, presenting the dawn of a new epoch while at the same time ushering in a fresh artistic style in the country's woodcuts and engravings. China Media Group's documentary series "Fine Arts in China" explores this further.